Thus, the author of a painting is a painter (or artist), the author of a sculpture is a sculptor (or artist), the author of a piece of music is a composer (or songwriter), the author of a dance is a choreographer, the author of a theatrical set is a set designer, the author of a map is a cartographer, and so on.
Standard practice in English is to identify the person responsible for a creative work by a different name depending on the form of the creative work. Thus, the author of a painting is a painter (or artist ), the author of a sculpture is a sculptor (or artist ), the author of a piece of music is a composer (or songwriter ), the author of a dance is a choreographer , the author of a theatrical set is a set designer , the author of a map is a cartographer , and so on. Of course, in many subcategories of writing, we use more-specific terms than author , too—for example, novelist , essayist , screenwriter , poet , and biographer . But few English speakers would blink if you called any of these creators an author . In the visual arts, the broad term corresponding to author in the written arts, and applicable to a painter, sculptor, engraver, drawer, embroiderer, weaver, etc., is artist . Unfortunately for clarity, artist may also refer to a musical, theatrical, or other type of performer—who may or may not be the author of the work being performed. In copyright law, though written works were long treated separately from visual works, the creators of paintings and other works of fine art have sometimes been termed “authors.” For example, Chappell & Shoard, A Handy-book of the Law of Copyright (1863) has this to say about “An Act for amending the Law relating to Copyright in Works of the Fine Arts, and for repressing the Commission of Frauds in the Production and Sale of such Works” enacted on 29 July 1862: The preamble states that by law as now established the authors of paintings, drawings and photographs have no copyright in such their works, and the provisions of the act are intended to supply this defect. The paintings, drawings and photographs in existence on the 29th July, 1862, which are now protected by the act, are those only which the author had not sold previously to that time. Going farther back, we have this passage from J. Salmon, A Description of the Works of Art of Ancient and Modern Rome (1798): The three pictures over the altars are by Rubens, and the frescos by Pomarancio. The Mosaic is by Peruzzi, and the basso-relievo of the Pieta by an unknown author. To similar effect is J. Steward, The Stranger’s Guide to Paris (1837), in this excerpt from a lengthy description of “some splendid paintings” in the aisle around the choir at St.-Etienne-du-Mont: Ste.-Geneviève is represented in glory; below are the city officers in full costume, and a number of spectators, among whom are the poet Santeuil, and the author of the painting—Largillière; And from John Cassell (publisher), The Works of Eminent Masters in Painting, Sculpture, Architecture, and Decorative Art (1854), we have this sentence: An Italian writer, named Gargani, believed that he had discovered the author of the painting [“The Last Supper” of St. Onofro] to be none other than Neri di Biel, on account of a manuscript, bearing the date 1461, declaring that a picture of “The Last Supper” was painted on the walls of the refectory of St. Onofro by that artist. Just as inexplicable as the tendency of English speakers to treat author as a mistake when applied to a painter or other fine artist is their willingness to use author to refer figuratively to God (unless, perhaps, they take “In the beginning was the Word” literally) and other nonhuman agencies. For instance, in John Ovington, A Voyage to Suratt, in the Year, 1689 (1696): Asia we know was the first Stage of Mortals, which both for Riches and Extent, is the most considerable part of our Tripartite Continent, and enjoys a temperature of Air, by its convenient position, equally superior to both. And as it was the first Original of Mankind, by a peculiar Favour from the Supreme Author of the World; so it was likewise of Nations and Kingdoms, of Monarchies and Empires, whose Laws as well Sacred as Civil, were formed here; and those Diviner Mysteries of the Jewish , as well as Christian Religion were first explain’d. And from John Nickolson (printer), “A Short View of the Epicurean Philosophy,” in The Lives of the Ancient Philosophers (1702): As the World was generated, and is govern’d by Nature , so ’twill have an End . For all Compositions are dissoluble, and whatever has a Beginning has an End. The Incessant Motion of the Atoms, of which it consists, must at length cause its Dissolution; not to mention that some Extrinsical Cause may be the Author of its Destruction, especially, considering that though ’tis produc’d but one way, it may be destroy’d many Ways. Under the circumstances, it is truly odd that English resists calling the creators of works of fine art authors —but unmistakably it does.Best answer · 40The word author can be absolutely correct in certain circumstances. Section 9(1) of the UK Copyright Designs & Patents Act 1988 says 9 Authorship of work. (1) In this Part “author”, in relation to a work, means the person who creates it. The legal word for the creator of a painting — or any other object — is author (as Sven Yargs has commented in his answer). But this is a specific definition for use in the law, and author wouldn’t be used in most other circumstances nowadays.10Using author to refer to the creator of a painting is unconventional in English, but does occur. When it does, it is perfectly understandable: it offends neither grammar nor logic. As evidence that it is used, here are a few examples from English printed works of the 19th and 20th centuries, uncovered by entering “author of the painting” into Google Book Search . Steigner was registered as the author of the painting . Recent scholarship has overwhelmingly supported Heemskerck as the author of the painting . This confirmed what was suspected from the photographs of the paint surface: that the contour of Rembrandt’s cap had been altered, possibly by the author of the painting . The first of these, identifying the author of the painting , is the greater obstacle since Riverbank is markedly unlike any of the other extant works attributed to Dong Yuan. The tempo of the beating brings to her mind the fusion music that Amaka, her cousin, the author of the painting , loves so much. Genevieve is represented in glory ; below are the city officers in full costume, and a number of spectators, among whom are the poet Santeuil, and the author of the painting — Largilliere ; Abraham blessing Jacob; St. Stephen Preaching, [ emphasis added ]7In English, an author creates written content, while an artist creates visible, audible, or tactile (touch) content. To note the distinction, a song may have both an author and an artist; the author wrote the lyrics, and the artist sang.4To speak specifically of the author ship of a (non-written) work of art is commonly found, and is good current usage – for the simple reason that there is no equivalent term relating to artist , painter , sculptor and the rest. There is no logic as to why author acquired its -ship , while the others didn’t, but it is so. However, outside a legal context writing the author of the painting is at best archaic, and should probably be avoided unless you want to sound very pompous and academic. Even more confusingly, at least two analogous nouns, musician and draughtsman , have acquired the -ship ending, but the meanings are rather different – musicianship and draughtsmanship refer to the degree of skill shown in performing the action, not to the act itself.1No, author is not the correct word for the artist who created a particular painting.
Books of the Art. Books of the Art or The Art Trilogy is an incomplete trilogy of novels by Clive Barker, of which only the first two have been published. The first book, The Great and Secret Show, was first published in 1989 and was followed by the second book, Everville, in …
Author: Clive Barker
Author Unknown. The painting of his son soon became his most prized possession, far eclipsing any interest in the pieces for which museums around the world clamored. He told his neighbors it was the greatest gift he had ever received. The following spring, the old man became ill and passed way. The art world was in anticipation.
About the author (2000) James Elkins is Professor of Art History, Theory and Criticism at the School of the Art Institute of Chicago. He is the author of many books, including The Poetics of Perspective (1994), The Object Stares Back: On the Nature of Seeing (1996), Our Beautiful, Dry, and Distant Texts: Art History as Writing(1997)
Dec 14, 2017 · Holland Cotter. Chris Kraus, one of our most innovative art critics, who is also one of our best fiction writers, now becomes one of our more adventurous biographers in this book on the perversely inventive and invented life of the punk fiction writer Kathy Acker (1947-1997). Although Ms. Kraus, author of “I Love Dick” (1997) and “Where Art Belongs”
Story : The Painting of The Son. By Georgy —– 19547 views. A wealthy man and his son loved to collect rare works of art. They had everything in their collection, from Picasso to Raphael. They would often sit together and admire the great works of art. When the …
Bill Creevy, a versatile artist and writer, is a Master Pastelist of the Pastel Society of America, author of The Oil Painting Book, and the recipient of numerous jury awards. He …
A community meeting place to share books and ideas about traditional hand crafts and the human a…more [close] A community meeting place to share books and ideas about traditional hand crafts and the human and community-building benefits of practicing traditional hand crafts in our modern time.
The Goldfinch is the third novel by American author Donna Tartt. Staggering out through the debris, he takes with him a small, Dutch Golden Age painting, The Goldfinch, which will serve as a singular source of hope as he descends into a world of crime.
Author: Donna Tartt
Feb 24, 2008 · Whoever bought that painting would inherit the entire estate, including the paintings. The man who took the son gets every thing!” God gave His son 2,000 years ago to die on a cruel cross.
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